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THE COMPETITION

» Prizes
» Entering
» Jury
» Judging process
» Registered entries

AMBASSADORS

» Prof Wangari Maathai
Green Belt Movement Founder and 2004 Nobel Peace Prize Winner - Nairobi/Kenya

» Sheila Watt-Cloutier
Former chair of the Inuit Circumpolar Conference and 2005 Sophie-Prize winner -  Iqaluit, Nunavut

» Albert Maysles
Filmmaker NY, USA

» Øystein Dahle
Chairman Worldwatch Institute - Slependen, Norway

» Trond Giske
Minister of Culture and Church Affairs - Oslo, Norway

» Prof Ole D. Mjøs
Chair of the Norwegian Peace Nobel Comitee - Tromsø/Norway

» Helen Bjørnøy
Minister of Environment - Oslo, Norway

» Nick Bonner
Painter, cartoonist, landscape artist and filmmaker Beijing, China

» Jan-Gunnar Winther
Director of the Norwegian Polar Institutt - Tromsø/Norway

» Fernando Birri
Documentary filmmaker - Havanna/Cuba

» Peter Doyle
Documentary filmmaker - USA

» Read entire list

IDEA COMPETITION JURY

» Tanja Meding
Film producer Maysles Films - New York/US

» Idrissou Mora Kpai
Film director/producer - Paris/France

» Jim Stark
Film producer - New York/US

» Wangtae Lim
DINFAC: Dong-Ah International Filmmaking and Acting Camp for Youth - Dong-Ah Broadcasting College/South Korea

» Rashid Masharawi
Film director/ -producer - Ramallah/Palestine

» Vegard Steiro Amundsen
Screenwriter - Lillehammer/Norway

» Daniel Alegi
Cinemahead & filmmaker - Karlstad/Sweden

» Karen O'Brien
Associate professor in the Department of Sociology and Human Geography at the University of Oslo, Norway

DANIEL ALEGI

Filmmaker from Sweden/USA/Italy

Daniel Alegi is a local-global filmmaker. He was raised in Italy, and recently moved to Sweden after 9 years in the USA. He is fluent in the language of cinema.

Daniel makes mostly short films, but has collaborated on a number of different types of larger scale projects, including features, documentaries, TV, theater, internet media. He has also written scripts and a film book on "ejecting from Hollywood".
In 2001 Daniel created CINEMAHEAD, to share his filmmaking know-how and to support the producing and completion of independent film work. To spread the knowhow Cinemahead began to offer intensive filmmaking workshops for young filmmakers, first in the USA, then in Scandinavia and Europe.

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